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Carole King
Carole King wrote or co-wrote more than 100 hit songs for other artists during the 1960s, working out of New York's Brill Building alongside husband and songwriting partner Gerry Goffin, before her own 1971 album Tapestry established her as a major performing artist in her own right rather than solely a behind-the-scenes songwriter. Tapestry sold more than 25 million copies worldwide and held the record for most weeks atop the Billboard 200 album chart by a female solo artist for decades, and its blend of confessional, piano-driven singer-songwriter material with King's own polished pop songwriting craft made it one of the defining albums of the early-1970s singer-songwriter movement. King's transition from primarily writing hits for other performers, including songs recorded by The Shirelles and Aretha Franklin, into performing her own material herself reflected a broader shift in the music industry during that era toward valuing artists who wrote and performed their own songs. Her combined catalog as both a hit songwriter for other artists and a hugely successful performer in her own right has made King one of the most commercially and critically significant figures in American popular songwriting, and her 2014 Kennedy Center Honors recognition reflected her sustained influence across both distinct phases of her career.
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Paul Simon
Paul Simon, first as half of Simon & Garfunkel and later as a solo artist, built one of the most critically respected songwriting catalogs in American popular music, and his 1986 solo album Graceland incorporated South African mbaqanga and other regional musical styles, introducing many Western listeners to South African music during the height of the international anti-apartheid movement. Simon's decision to record Graceland with South African musicians during the international cultural boycott of apartheid-era South Africa drew significant controversy, with critics arguing the boycott's spirit had been violated even as Simon and his collaborators defended the album as a genuine artistic and economic partnership with Black South African musicians. His earlier work with Art Garfunkel, including songs like "The Sound of Silence" and "Bridge Over Troubled Water," established Simon as one of the defining songwriters of the 1960s folk-rock movement before the duo's eventual breakup and Simon's subsequent solo career. Simon's combination of melodically sophisticated songwriting, his willingness to incorporate diverse global musical influences into mainstream American pop, and his sustained critical acclaim across both his duo and solo careers have made him one of the most consistently respected songwriters in American popular music history.
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