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E.T. the Extra-Terrestrial
E.T. the Extra-Terrestrial, directed by Steven Spielberg and released in 1982, became the highest-grossing film in history at the time of its release, and its story of a stranded alien befriending a young boy in suburban America became one of the most beloved family films ever produced. The film's iconic silhouetted image of a boy and E.T. flying a bicycle across the moon became one of the most widely reproduced single images in film history, later adopted as the actual logo of Spielberg's own Amblin Entertainment production company. Spielberg reportedly filmed much of the movie from a child's-eye camera height and in roughly chronological order, an unusual production choice intended to help the young cast's performances develop naturally alongside the story's emotional arc rather than out of sequence as most films are typically shot. The film's emotional depiction of childhood loneliness, family disruption following its protagonist's parents' divorce, and ultimately unconditional friendship gave E.T. a genuine emotional depth beneath its family-friendly science fiction premise, and its combination of technical filmmaking craft and broad emotional accessibility has made it one of the most enduringly beloved films in American cinema.
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Blade Runner
Blade Runner, released in 1982 and directed by Ridley Scott, was a box-office disappointment on its initial release but has since become one of the most influential science fiction films ever made, with its rain-soaked, neon-lit vision of a dystopian future Los Angeles establishing the visual template for the "cyberpunk" aesthetic that countless subsequent films and video games have drawn from. The film's ambiguous treatment of its central question — whether protagonist Rick Deckard is himself a "replicant," the film's term for artificially engineered humanoid beings he's tasked with hunting — has generated decades of ongoing critical debate, deliberately left unresolved across both the original theatrical cut and Scott's later director's cuts. Rutger Hauer's largely improvised "Tears in Rain" monologue, delivered by his character Roy Batty in the film's climax, is widely regarded as one of the most moving death soliloquies in science fiction film history, reportedly rewritten by Hauer himself from a longer scripted speech into its now-iconic condensed form. The film's slow-burn critical and cultural reappraisal over the decades since its release — moving from box-office disappointment to a film now frequently cited among the greatest science fiction movies ever made — has made Blade Runner one of the most significant examples in film history of a movie's reputation growing substantially long after its original theatrical run.
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