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The Lion, the Witch and the Wardrobe
"The Lion, the Witch and the Wardrobe," published by C.S. Lewis in 1950 as the first-published volume of "The Chronicles of Narnia," follows four English siblings who discover a magical wardrobe leading to the land of Narnia, where they join the lion Aslan against the tyrannical White Witch. Lewis, a close friend and Oxford colleague of J.R.R. Tolkien within the informal literary group known as the Inklings, wrote the Narnia books with an explicit Christian allegorical framework, most directly reflected in Aslan's sacrificial death and resurrection at the story's climax. The novel's success launched a seven-book series that became one of the best-selling children's book series of the 20th century, and its imaginative portal-fantasy premise — an ordinary household object leading to an entire hidden magical world — became one of the most widely imitated devices in subsequent children's fantasy literature. The Lion, the Witch and the Wardrobe's combination of Lewis's Christian allegorical framework and its hugely influential portal-fantasy premise has made it one of the most significant fantasy novels in children's literature.
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A Game of Thrones
"A Game of Thrones," published by George R.R. Martin in 1996 as the first volume of "A Song of Ice and Fire," follows multiple noble families competing for control of the Iron Throne across the fictional continent of Westeros, told through shifting third-person perspectives across an unusually large ensemble cast. Martin's willingness to kill off major point-of-view characters without warning became a defining structural feature of the series, subverting genre expectations that had governed fantasy fiction for decades and creating a genuine sense of unpredictability that distinguished the series from more traditional heroic-fantasy structures. The novel's eventual television adaptation as HBO's "Game of Thrones" became one of the most watched and culturally significant television series of the 2010s, dramatically expanding the source novels' audience well beyond readers who had picked up the books before the show's 2011 premiere. A Game of Thrones's combination of Martin's genre-subverting willingness to kill central characters and its role as the basis for one of the defining television series of its era has made it one of the most influential fantasy novels of the modern era.
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