And Then There Were None

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• Top 6 Mystery Novels of All Time

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• The Big Sleep

  "The Big Sleep," published by Raymond Chandler in 1939, introduced private detective Philip Marlowe in a labyrinthine Los Angeles blackmail and murder case, and it became one of the foundational texts establishing the hardboiled detective fiction genre alongside Dashiell Hammett's earlier work. Chandler's densely atmospheric, morally ambiguous prose style, filled with distinctive similes and a jaded but principled detective navigating a corrupt city, established a voice and sensibility that directly shaped virtually every subsequent hardboiled and noir crime novel written afterward. The novel's plot became famous for its genuine narrative complexity — reportedly, when the 1946 film adaptation's screenwriters asked Chandler who was responsible for one particular murder in his own novel, he admitted he didn't actually know, a frequently repeated anecdote about the novel's structural density. The Big Sleep's combination of introducing the iconic Philip Marlowe character and establishing hardboiled detective fiction's foundational literary voice has made it one of the most influential crime novels ever written.

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• Gone Girl

  "Gone Girl," published by Gillian Flynn in 2012, follows the disappearance of Amy Dunne on her fifth wedding anniversary and the media firestorm surrounding her husband Nick as the prime suspect, told through alternating and increasingly unreliable perspectives from both spouses. The novel's now-famous mid-book twist, revealing the true nature of Amy's disappearance and dramatically reframing everything readers thought they understood about both central characters, became one of the most widely discussed and influential plot reveals in contemporary popular fiction. Flynn's sharp, sustained critique of media sensationalism and the performative nature of modern marriage, embedded within a propulsive thriller structure, helped drive the novel to spend well over a hundred weeks on the New York Times bestseller list and sparked a wave of "unreliable marriage thriller" imitators. Gone Girl's combination of its genre-redefining structural twist and its sharp cultural critique of media and marriage has made it one of the most influential and commercially successful thriller novels of the 21st century.

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• The Girl with the Dragon Tattoo

  "The Girl with the Dragon Tattoo," published by Swedish journalist Stieg Larsson in 2005, follows disgraced journalist Mikael Blomkvist and troubled computer hacker Lisbeth Salander investigating a decades-old disappearance tied to a wealthy Swedish family's dark secrets. Larsson died suddenly in 2004, before any of his three completed "Millennium" trilogy novels had been published, making his massive posthumous international success one of the more poignant and widely discussed stories in modern publishing history. The character of Lisbeth Salander, a fiercely independent, socially unconventional survivor of extensive abuse, became one of the most influential and widely praised protagonists in contemporary crime fiction, credited with helping popularize a wave of Scandinavian crime novels internationally, a movement often labeled "Nordic noir." The Girl with the Dragon Tattoo's combination of its posthumously published massive success and its influential, genre-defining Lisbeth Salander character has made it one of the most significant crime novels of the 21st century.

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• The Da Vinci Code

  "The Da Vinci Code," published by Dan Brown in 2003, follows Harvard symbologist Robert Langdon investigating a murder at the Louvre that unravels into a conspiracy involving secret societies, religious history, and hidden messages embedded in Leonardo da Vinci's artwork. The novel became a genuine global publishing phenomenon, selling over 80 million copies and remaining on bestseller lists for years, while also generating significant public controversy and criticism from religious institutions and historians over its blending of real historical and artistic detail with speculative fictional conspiracy theory. The book's commercial success drove a broader popular surge of interest in art history, symbology, and the specific historical sites and artworks featured in the novel, with the Louvre itself reporting a measurable increase in visitors specifically seeking out locations referenced in the story. The Da Vinci Code's combination of its record-setting global commercial success and its unusually direct influence on real-world tourism and public interest in art history has made it one of the most culturally significant novels of the 2000s.

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• The Silence of the Lambs

  "The Silence of the Lambs," published by Thomas Harris in 1988, follows FBI trainee Clarice Starling as she seeks the psychological insight of imprisoned cannibalistic psychiatrist Hannibal Lecter to help catch an active serial killer, building on Lecter's earlier introduction in Harris's 1981 novel "Red Dragon." Harris's meticulous research into real FBI criminal profiling techniques, including consultation with actual behavioral science unit agents, gave the novel's procedural details an unusually grounded authenticity that distinguished it from more purely sensationalized serial killer fiction of the era. The character of Hannibal Lecter, a cultured, brilliant, and utterly amoral psychiatrist-cannibal, became one of the most iconic villains in the history of crime fiction, and the novel's exploration of Clarice Starling's professional and psychological struggle within a male-dominated FBI added significant depth beyond a straightforward thriller plot. The Silence of the Lambs's combination of its grounding in real FBI profiling research and its creation of the iconic Hannibal Lecter character has made it one of the most influential crime novels in modern American fiction.

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• BOOM! Studios

  BOOM! Studios was founded in 2005 in Los Angeles, and the company grew into a significant publisher of both original creator-owned comics and licensed properties, including a notable run of comics based on Jim Henson properties like "The Dark Crystal" and "Fraggle Rock." The publisher's original series "Lumberjanes," launched in 2014, became particularly significant for its focus on a young, diverse cast of characters at a summer camp, drawing critical acclaim and a devoted following for expanding the range of stories and audiences mainstream comic publishing had traditionally served. BOOM! Studios also publishes "Once & Future" and other genre-spanning original titles, and the company's KaBOOM! imprint specifically targets younger readers, reflecting a deliberate publishing strategy spanning multiple age demographics beyond the traditional adult-oriented superhero comic audience. BOOM! Studios's combination of its Jim Henson licensed properties and its critically acclaimed original series like "Lumberjanes" has made it one of the most significant independent comic book publishers to emerge in the 21st century.

• IDW Publishing

  IDW Publishing was founded in 1999 in San Diego, California, and the company built a significant portion of its business around licensed comic adaptations of major media franchises, including Transformers, G.I. Joe, and Teenage Mutant Ninja Turtles, alongside original horror and science-fiction titles. The publisher's Transformers and G.I. Joe comic lines helped sustain and expand those toy-based franchises' fictional universes during periods between major film and television releases, giving dedicated fans continued new stories set within those established properties. IDW also published significant original horror content, including "Locke & Key," written by Joe Hill, which was later adapted into a live-action Netflix television series, demonstrating the publisher's ability to develop original properties alongside its licensed franchise business. IDW Publishing's combination of its extensive licensed toy-franchise comic business and its original horror titles like "Locke & Key" has made it one of the most significant mid-sized comic book publishers in the modern American comics industry.

• Dark Horse Comics

  Dark Horse Comics was founded in 1986 by Mike Richardson, and the company built a significant business publishing licensed comics based on major film and video game franchises, including Star Wars, Aliens, and numerous other properties, alongside its own original creator-owned titles. The publisher became particularly significant for its extended run publishing Star Wars comics from 1991 to 2014, a period during which Dark Horse's comics helped expand the Star Wars expanded universe substantially beyond the core film trilogy narratives during a gap between film releases. Dark Horse also published Mike Mignola's "Hellboy," which grew into a significant standalone franchise spanning comics, animated films, and live-action film adaptations, reflecting the publisher's ability to develop its own original intellectual property alongside its licensed comic business. Dark Horse Comics's combination of its significant licensed franchise comic business, including its long Star Wars publishing run, and its original "Hellboy" franchise has made it one of the most commercially significant comic book publishers outside the Marvel-DC duopoly.

• Image Comics

  Image Comics was founded in 1992 by a group of prominent artists, including Todd McFarlane, Jim Lee, and Rob Liefeld, who left Marvel Comics specifically to retain creative and financial ownership of the characters and stories they created, a significant departure from the traditional work-for-hire model dominant at Marvel and DC. The company's founding "creator-owned" business model, letting writers and artists retain full rights to intellectual property they developed for Image, became a significant alternative structure within the mainstream comic book industry, distinct from Marvel and DC's tightly controlled shared-universe ownership approach. Image published numerous commercially and critically significant creator-owned titles, including "Spawn," "The Walking Dead," and "Saga," several of which were adapted into major television series and films while their original creators retained direct ownership and creative control. Image Comics's combination of its founding artists' rebellion against work-for-hire ownership and its sustained commercial success publishing creator-owned titles has made it one of the most structurally significant comic book publishers in the industry's modern history.

• DC Comics

  DC Comics traces its origins to 1934, and the company published Action Comics #1 in 1938, introducing Superman, widely credited as the first true superhero and the character that established the entire superhero genre as a distinct category within American comic books. DC followed Superman with Batman in 1939 and Wonder Woman in 1941, building a roster of characters that became so culturally foundational that "the Big Three" remain among the most globally recognized fictional characters in any medium more than 80 years after their creation. DC's characters have been adapted into numerous major film franchises across multiple eras, from the Christopher Reeve Superman films of the 1970s and 1980s through Christopher Nolan's Batman trilogy and the more recent DC Extended Universe and DC Universe film franchises, reflecting sustained multi-generational commercial relevance. DC Comics's combination of its foundational role publishing the very first superhero in Superman and its creation of some of the most enduringly significant characters in fiction has made it one of the two most historically dominant comic book publishers in American history.